01
Shoot planning
Concept, shot list, styling and props agreed before the day. The expensive version of this service is the one where nobody planned and you shoot again.

04 — Creative
Content made for where it's going
The most expensive way to make content is to shoot it beautifully and then find out it doesn't crop to vertical.
What this actually is
Planning for the destination changes what happens on the day. If something is going to run as a nine-by-sixteen video and a website hero and a print menu, that's three framings and you shoot for all three while everything is already set up. Working it out afterwards means shooting again.
We handle the parts that make a shoot go right: what we're making and why, a shot list, props and styling sorted before anyone arrives, and enough coverage that the edit has options. Then art direction on the day so the results actually look like your brand.
Copy runs alongside rather than after. Words written when the visuals are being planned tend to fit; words written to caption an existing image tend to describe it, which is the difference between content that works and content that exists.
01
Concept, shot list, styling and props agreed before the day. The expensive version of this service is the one where nobody planned and you shoot again.
02
Framed for every destination it has to fill. If an image is going to be a website hero, a vertical story and a printed menu, that's three framings taken while everything is already set up.
03
Shot vertical-first because that's where most of it will be watched, with enough coverage that the edit has options rather than one usable take.
04
Somebody on the day whose job is making sure the results look like your brand rather than like a nice photograph of your business.
05
Written alongside the visuals rather than after them. Words written to caption an existing image tend to describe it; words planned with the image tend to do something.
06
Edited and exported per destination, with source files and full usage rights including paid advertising. Travel, props, styling and talent are quoted separately and charged at cost.
Step 1
What we're making, where each piece will live, and what it has to do there.
Step 2
One day usually covers far more than people expect, when it's planned properly.
Step 3
Edited and exported per destination, with the source files.
How it's pricedDay rate
A day rate for shoots, or a per-deliverable fee for smaller pieces. Travel, props, styling and any talent are quoted separately and shown to you at cost.
We don't publish a number for this one, because an honest one depends on the job. Tell us what you're trying to do and you'll get a real figure, in writing, without a sales call first.
Get a figure in writingPlanning beforehand, the shoot itself, art direction, and the edit. Travel outside Pune, props, styling and talent are quoted on top and shown at cost.
You do, with full usage rights, including paid advertising. We'll ask before using anything in our own portfolio.
Usually, and for restaurants, clinics and hotels that's normally better than a studio. We'll visit first if lighting looks difficult.
Creative
Identity, voice and the rules that keep them consistent — logo system, palette, type and the usage guidance that stops it drifting six months later.
Earned Media
A posting strategy per platform rather than one asset resized five ways, built around what each channel actually rewards.
Creative
Ads built to be tested: variants that isolate one variable each, so a winner tells you something you can use again.
No pitch deck, no discovery call you have to sit through. Describe the problem and we'll tell you whether this is the right service for it — including when it isn't.
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